WYSTAWA CZASOWA — „Agnieszka Cieślińska – Kawecka. Ogród Przedziwny”

when: 26.06 - 04.09.2022

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#MuzeumWdomu – WIRTUALNY SPACER – Gmach Główny


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WYSTAWA CZASOWA — „Świat duchowej wyobraźni. Dewocyjne obrazy pochodzenia fabrycznego…”

when: 14.05 - 30.10.2022

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ul. Mickiewicza 6, Nieszawa when:

Two halls on the ground floor are documenting life and creation of an outstanding theorist of architecture, pedagogue, drawer and painter Stanislaw Noakowski (1867-1928). The first part of the exhibition has biographical character and is placed in arranged notary office. The second part presents drawings and watercolors by Stanislaw Noakowski from 1916-1925. This part of exposition is located in reconstructed lounge from the seventies of 19th century.


#MuzeumWdomu – WIRTUALNY SPACER – Muzeum Stanisława Noakowskiego w Nieszawie


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JAN SOWIŃSKI (1911–1990). Mistrz włocławskiego designu

when: 25.03 - 31.07.2022

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ul. Zamcza 10/12, Włocławek when:

The exhibition of sculptures by Stanislaw Zagajewski – one of Poland`s and the world`s premier representatives of l`art brut – features works from his most interesting and creative period, 1966-1990. The religious and animal sculptures come solely from the Wloclawek Museum`s collection, which was started in 1966.

The exhibition includes the unique bas-relief compositions Zagajewski calls “altarpieces,” as well as free-standing sculptures and wall masks. The altarpieces and most religious sculptures were inspired by the Passion of Christ (Christ in a Crown of Thorns, The Man of Sorrows, the Pieta, Arma Christi). The Lamb of God altarpiece and the sculptures of The Lamb and The Pelican also refer to the sacrifice of Christ and the mystery of the Eucharist. The free-standing sculptures are mainly uncanny representations of homely and exotic animals: the stag, the roe, the bear, the elephant, or the sphinx. The large sculptures include vases covered with dense fantastic ornaments: writhing human figures, animals, birds, and natural ornaments. Another group of works are the small, multicolored glazed bird statues, mostly representing peacocks. Some of them are decorated with “bouquets” made of beads or plastic caps and wrappings strung on wire.

After the death of Stanislaw Zagajewski exhibition was enriched with photography that show artist and citations with parts of his statements that comes from different periods. Now, when artist has gone away, he still lives with us thanks to his sculptures. Visiting the exhibition, you can see movies on the big-size screen, that present artist working at his sculptures and telling about the art. You can also remind about the way he lived and how he was walking with pushchair and dogs true the streets of Wloclawek. Artistic of “Wloclawski Nikifor” is as the same interesting and original as his philosophy and way he was living. All those elements are inseparable and put together they are making the whole portrait of Stanislaw Zagajewski. (artist)



ul. Mickiewicza 6, Nieszawa when:

On the first floor are located expositions devoted to the teacher of St. Noakowski – Ludwik Bouchard (1828-1912), art critic, painter and pedagogue. On the exposition we can find oil paintings, watercolors, drawings, ceramics and furniture designed by L. Bouchard. Like steady expositions on the ground floor, these were also created with a special care for rendering the climate of bourgeois house from the second half of 19th century.



ul. Zamcza 10/12, Włocławek when:

The exhibition presents the art of Waclaw Bebnowski and some objects associated with the artist. It includes the most interesting ceramic sculptures and functional objects from Poland`s largest collection, started at the Wloclawek Museum by the artist himself. A resident of Aleksandrow Kujawski, Bebnowski donated the first two sculptures to the Museum in 1935. The Museum began to acquire other works for the collection, which today consists of over 130 items, in 1965, primarily through purchases from Wloclawek, Ciechocinek, and Torun residents. After the first monographic exhibition in the Wloclawek Museum in 1979, the collection was considerably expanded through a large purchase from the sculptor`s daughter, Maria Fiszer.

The exhibition features figurative sculptures from 1913-1938: portraits, sacred sculptures, small animal statues. The majority of the works are applied art objects, such as vases, epergnes, or paper weights. In most of them Bebnowski`s uses his favorite art nouveau motifs, visible in the positions of naked nymphs, the long-haired female figures, and the ornaments inspired by the natural world or the art of the Far East. Each sculpture is covered in patina, usually imitating bronze casts.

In addition to sculptures, the exhibition includes Bebnowski`s watercolor and oil landscapes, drawings, and sketches. Several portraits illustrate the sculptor`s biography: a Biedermeier portrait of Waclaw Bebnowski`s father painted by one Tolinski in 1830; an art nouveau portrait of Bebnowski`s wife, Anna of the Golecki family, painted by Ignacy Pienkowski; and an oil portrait of Waclaw Bebnowski by E. Cwirko-Godycka. Of the few memorial objects in the Museum, a few documents from Bebnowski`s college years and some family photographs are on display. Several boards present a chronology of major events in the artist`s life.


#MuzeumWdomu – WIRTUALNY SPACER – Skansen w Kłóbce


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